- Machine washable
- Imported
- 100% cotton
The Canvas Transfer Process
Producing a canvas transfer is an intensely detailed process, which begins with an art print (ink on paper). Special chemicals are applied which, when dried, form a film that is meticulously separated from the paper and permanently embedded onto a high qual! ity artist canvas. The canvas is then carefully stretched and wrapped around a sturdy, custom-cut inner support frame, called a "stretcher bar". Heavy added brushstrokes are also carefully painted on to the canvas.
Ready to Hang "Museum Wrap"
Canvas is wrapped around the stretcher bars and stapled on the back. White canvas will show on the sides and no part of the image is lost during this wrapping process. The stretcher bar on the back of the canvas has a saw-tooth hanger, making it ready to hang on your wall. The canvas texture and non-reflective nature of a canvas transfer allows you to hang them under any lighting conditions. Differing from traditional paper art prints, a canvas transfer has a lifespan as long as any original painting or work of art. They can easily be dusted and cleaned with a damp cloth, giving years of use and enjoyment.
Easily Framed
Since there is no need to cover a canvas transfer with glass or to even mat these items, having your canvas ! transfer framed is easy and cost effective.
SPECIAL NOTE REG! ARDING M USEUM WRAPS
If your order contains a border around the main design of the image, it WILL BE cropped off. This will occur if there is a white, black orother colored border around the main image. Any text that appears in the border WILL also be cropped off as well.
Cropping will REDUCE the overall size of the Museum Wrap from the dimensions stated above.
We CANNOT REFUND orders where there is a misunderstanding about this process.
When Siddalee Walker, oldest daughter of Vivi Abbott Walker, Ya-Ya extraordinaire, is interviewed in the New York Times about a hit play she's directed, her mother gets described as a "tap-dancing child abuser." Enraged, Vivi disowns Sidda. Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to anal! yze her mother, she comes face to face with the tangled beauty! of impe rfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.
Divine Secrets of the Ya-Ya Sisterhood may call to mind Prince of Tides in its unearthing of family darkness; in its unforgettable heroines and irrepressible humor and female loyalty, it echoes Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe.Wells is a Louisiana-born Seattle actress and playwright; her loopy saga of a 40-year-old player in Seattle's hot theater scene who must come to terms with her mama's past in steamy Thornton City, Louisiana, reads like a lengthy episode of Designing Women written under the influence of mint juleps and Faulkner's Absalom, Absalom!. The Ya-Yas are the wild circle of girls who swirl around the narrator Siddalee's mama, Vivi, whose vivid voice is "part Scarlett, part Katharine Hepburn, part Tallulah." The Ya-Yas broke the no-booze rule at the cotillion, skinny-dipped their way to j! ail in the town water tower, disrupted the Shirley Temple look-alike contest, and bonded for life because, as one says, "It's so much fun being a bad girl!"
Siddalee must repair her busted relationship with Vivi by reading a half-century's worth of letters and clippings contained in the Ya-Ya Sisterhood's packet of "Divine Secrets." It's a contrived premise, but the secrets are really fun to learn.
