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In fact, writes Lisa Petty, our looks speak volumes about our health, and ignoring some of the issues that confront us daily in the mirror ! is turning a blind eye to a wide variety of potential health concerns. A skin condition, she explains, may not be a simple skin condition, but frequently the bodyâs way of indicating that something else is wrong.
In Living Beauty, readers will discover that skin, hair and many other beauty concerns are often the telltale signs of larger issues and might indicate dietary deficiencies or nutrient absorption problems that should be dealt with.
Using the whole beauty approach, Living Beauty helps the reader to improve the quality of his or her life, by taking those telltale signs seriously.
Chapter-by-chapter, the author steers the reader toward those healthy choices available to anyone who truly cares, not just about looking great - but feeling fabulous! Among the many topics covered in Living Beauty:
A photographer's tribute to his greatest muse
Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The consequence of two decades of extraordinary friendship, and phenomenal glamor, this iconic collaboration is an intimate insight into the lives and minds of two of the worldâs definitive style leaders.
Follow the journey of one of fashionâs most creative collaborations, from early days backstage at the shows to behind-the-scenes glimpses of the ground-breaking editorials they continue to produce for the worldâs most respected magazines. Many photographs have been chosen from Testinoâs private archive and are published h! ere for the first time.
This book is Marioâs personal homage to his greatest muse: a young girl that captured his heart and eye with her beauty, humor and spirit, and whose image in his photographs has captured imaginations the world over.
Contents include:
⢠Foreword by Mario Testino
⢠Exclusive essay by Kate Moss
⢠Over 100 images in black-and-white and color, including many unseen private photographs
Dirt could use sharper writing, but it's savvy enough when it comes to parsing Hollywood-speak. A celebrity's so-called "exhaustion" is translated by Lucy to mean "rehab or a psychotic break." Dirt drops A-list names (Clooney, Britney),! but for a series set in Hollywood, it's light on actual celebrities (director David Fincher and a self-deprecating Christopher Knight and Adrienne Curry appear as themselves). Instead, we get unconvincing fictional celebrities such as wash-out actor Holt McLaren (Josh Stewart), who gets his shot at superstardom by making the same kind of pact with Lucy that John Cassavetes made with the coven in Rosemary's Baby. Just one scoop begins a downward spiral for his sitcom-actress girlfriend (Laura Allen) and her best friend, an actress with an ill-timed pregnancy (Shannyn Sossamon). Also getting down and dirty are Rick Fox as a compromised basketball superstar, Wayne Brady as a cultured thug, and, in the season finale, Jennifer Aniston as Lucy's rival (and then some, although their much-hyped onscreen kiss is really much ado about nothing). An FX series, Dirt shovels on the network's envelope-pushing profane language and graphic sex scenes. It should clean up on DV! D. --Donald Liebenson
The Emmy®-winning crime series seen on PBS
"A perfect marriage of astoundingly talented actress and brilliantly conceived character" --USA Toda! y
"Riveting" --The Boston Globe
Oscar® winner Helen Mirren is Detective Jane Tennison, "one of the great character creations of our time" (The Washington Post), in a series that won more than 20 major international awards and raised the bar for police dramas.
Tenacious, driven, and deeply flawed, Tennison rises through the ranks of Britainâs Metropolitan Police, solving horrific crimes while battling office sexism and her own demons. âRare is the drama that works so well on two levels: as a crackling whodunit and as a finely tuned character study of a strong but insecure woman trying to prove herself in a manâs worldâ (Time).
Seen on Masterpiece Theatre and Mystery! and created by crime writer Lynda La Plante, Prime Suspect features some of Britainâs biggest stars, including Ralph Fiennes (The English Patient), Tom Wilkinson (Michael Clayton), Zoë Wanamaker (Poirot), David Thewlis (Harry Potter), Mark Strong (Sherlock Hol! mes), Ciarán Hinds (Jane Eyre), Tom Bell (Reilly: Ace of Spie! s), and Jonny Lee Miller (Trainspotting).
Contains coarse language and graphic content Helen Mirren's Detective Chief Inspector Jane Tennison, the only female DCI on an old boy's club London homicide squad, is like a phantom lurking around the edges of the action while the men rush through their latest murder case, joshing and winking in the kind of male camaraderie the cop genre has celebrated for decades. When DCI Shefford dies of a sudden heart attack, Tennison demands to take over. Despite her superintendent's resistance ("Give her this case and she'll start expecting more."), she becomes the squad's first woman to head a murder investigation. Scrutinized at every moment by her superior officers, Tennison is faced with a case that spirals out from a single murder to a serial spree, a second-in-command who undermines her authority and her investigation at every turn, a team resistant to taking orders from a woman, and a private life unraveling due to her professional dil! igence. Lynda La Plant's script is a compelling thriller riddled with ambiguity that turns dead ends, blind alleys, and the mundane legwork of real-life cops into fascinating details. Mirren commands the role of Tennison with authority, intelligence, and a touch of overachieving desperation. Superb performances, excellent writing, and understated direction make this BBC miniseries one of the most involving mysteries in years. Look for future British stars Ralph Fiennes and Tom Wilkinson in supporting roles. --Sean AxmakerA beautiful cinematic adaptation of Tennessee Williamsâ first novel, The Roman Spring of Mrs. Stone, tells the emotional story of Karen Stone (Mirren), an aging American actress who falls for a young Italian gigolo of captivating beauty (Martinez) after the untimely death of her husband, Tom (Dennehy). In typical Tennessee Williams fashion, Mrs. Stone finds romance, but ultimately loses control and steps into a dangerous world of chaos.ELIZABETH I ! - DVD MovieHelen Mirren's Elizabeth I could almost be cousin t! o her Ja ne Tennison. Like the dedicated detective chief inspector, Queen Bess is not without a heart, but work comes first and any romantic entanglements are doomed to fail. Fortunately, she has her friendships. Directed by Tom Hooper (Prime Suspect 6), this two-part HBO/Channel 4 tele-film begins in 1579. The Virgin Queen has been on the throne for 20 years, but has not married. Her closest relationship is with Robert Dudley, the Earl of Leicester (Jeremy Irons), whom the council will not allow her to wed. Because Robert wishes to produce an heir, he marries another, garnering Elizabeth's disfavor (and nor is he all that thrilled about her dalliance with Henry, the Duke of Anjou). In time, he'll return to her good graces. As she explains, "Friendship outlasts love and is stronger than love." Then, as his health begins to fails, she'll turn to his stepson, the dashing, if duplicitous Robert Devereaux, the Earl of Essex (Hugh Dancy, the Hooper-directed Daniel Deronda). ! Meanwhile, Mary, Queen of Scots (Barbara Flynn) plots against her Protestant cousin. Even after Mary makes her exit, plenty of other powerful Catholics will stop at nothing to seize the crown. Marked as much by triumph as tragedy, the role of Elizabeth I has been catnip for many illustrious actresses, notably Bette Davis, Glenda Jackson, and Cate Blanchett. Mirren's multi-faceted portrayal of the queen's golden years is a worthy addition to that canon and Irons is a particularly formidable foil. --Kathleen C. FennessyHELEN MIRREN AT THE BBC - DVD MovieLong before The Queen, long before Prime Suspect's DCI Tennyson, Helen Mirren was honing her craft with a cast of literary characters on par with the great actresses of all time--all in teleplays for the British Broadcasting System. This boxed set is both a treasure trove of English language classics, well known and obscure, and a brilliant window into the building of the talent and career of Mirren, start! ing as a young, Gwyneth Paltrowesque ingénue. The five disc! s featur e costume dramas from just about any period of English history imaginable. Teleplays include versions of The Changeling, The Apple Cart, Caesar and Claretta , The Philanthropist, The Little Minister, Miss Rhinehart, Soft Targets, and other, shorter presentations.
Among the gems are The Changeling, shot with lush production values and a leisurely, very British pace. Mirren is Joanna, a young lass already torn by love and commitment, and Mirren is riveting even as a cherubic youngster. ("I adore Jacobean tragedy," Mirren says of this play in the commentary--and who doesn't?) In Bernard Shaw's The Apple Cart Mirren doesn't appear until nearly an hour into the play, but is compelling as a wily mistress type: "You are as slippery as an eel," she tells her ne'er-do-well companion, "but you shall not slip through my fingers."
The set is as compelling for the appearances of other actors who costar with Mirren! , including a young, tormented Ian Holm in Stephen Poliakoff's Soft Targets. Not to be missed are the interviews with Mirren, including Helen Mirren Remembers, which gives a great overview of the set, and how she grew into the splendid actress she later became. "You're going to be very exposed" in front of a camera, she says--and that's the true delight here for all Mirren fans. --A.T. Hurley