Wednesday, August 3, 2011

Word & Image: Russell C. Leong. (Amerasia Journal, Vol. 37, no. 1)

  • special issue of Amerasia journal dedicated to the work of Russell C. Leong.
Service Economies presents an alternative narrative of South Korean modernity by examining how working-class labor occupies a central space in linking the United States and Asia to South Korea's changing global position from a U.S. neocolony to a subempire.

Making surprising and revelatory connections, Jin-kyung Lee analyzes South Korean military labor in the Vietnam War, domestic female sex workers, South Korean prostitution for U.S. troops, and immigrant/migrant labor from Asia in contemporary South Korea. Foregrounding gender, sexuality, and race, Lee reimagines the South Korean economic "miracle" as a global and regional articulation of industrial, military, and sexual proletarianization.

Lee not only addresses these under-studied labors individually but also integrates a! nd unites them to reveal an alternative narrative of a changing South Korean working class whose heterogeneity is manifested in its objectification. Delving into literary and popular cultural sources as well as sociological work, Lee locates South Korean development in its military and economic interactions with the United States and other Asian nation-states, offering a unique perspective on how these practices have shaped and impacted U.S.-South Korea relations.
In the 1980s, America witnessed an explosion in the production, popularity, and influence of literary works by people of color and a decadelong economic downturn that severely affected America's inner cities and the already disadvantaged communities of color that lived there. Marked by soaring levels of unemployment, homelessness, violence, drug abuse, and despair, this urban crisis gave the lie to the American dream, particularly when contrasted with the success enjoyed by the era's iconic stockbrokers and o! ther privileged groups, whose fortunes increased dramatically ! under Re aganomics.

In Urban Triage, James Kyung-Jin Lee explores how these parallel trends of literary celebration and social misery manifested themselves in fictional narratives of racial anxiety by focusing on four key works: Alejandro Morales's The Brick People, John Edgar Wideman's Philadelphia Fire, Hisaye Yamamoto's "A Fire in Fontana," and Tom Wolfe's The Bonfire of the Vanities. Each of these fictions, he finds, addresses the decade's racial, ethnic, and economic inequities from differing perspectives: Morales's revisions of Chicano identity, Yamamoto's troubled invocation of the affinities between African Americans and Asian Americans, the problematic connections between black intellectuals and the black community aired by Wideman, and Wolfe's satirization of white privilege. Drawing on the fields of literary criticism, public policy, sociology, and journalism, Lee deftly assesses the success with which these multicultural fictions engaged in the debates over these i! ssues and the extent to which they may actually have alienated the very communities that their creators purported to represent.

Challenging both the uncritical celebration of abstract multiculturalism and its simpleminded vilification, Lee roots Urban Triage in specific instances of multiracial contact and deeply informed readings of works that have been canonized within ethnic studies and of those that either remain misunderstood or were misguided from the start.224 p., 23 cm.

Then She Found Me

  • Title: THEN SHE FOUND ME
  • Publisher: IMAGE ENT. / Genre: COMEDY / Theme: ROMANTIC COMEDY / Rating: R
  • Product Type: VIDEO /
  • Platform: DVD MOVIE
An all-star cast with memorable performances by Helen Hunt, Matthew Broderick, Bette Midler and Colin Firth powers this smart, funny drama about love and destiny. Desperate to start a family, schoolteacher April Epner (Hunt) is thrown into confusion when she is unexpectedly abandoned by her husband (Broderick). She gets another shock when she meets her unusual birth mother (Midler), a self-centered talk show host who's not exactly the ideal mom. At first she rejects her, along with the attentions of a divorced dad (Firth), but then she begins to find her life opening up in ways she had never imagined.Like all the most intriguing titles, Then She Found Me lends itself to multiple interpretations. Does "she" refe! r to New York talk-show host Bernice (Bette Midler, in a welcome return to the screen), the self-proclaimed birth parent who enters the life of schoolteacher April (Oscar winner Helen Hunt) upon the death of her adoptive mother? Or does the pronoun refer to April, who meets divorced dad Frank (Colin Firth) the day her marriage to co-worker Ben (Matthew Broderick) comes to an abrupt halt? The surprising conclusion to Hunt's directorial debut suggests a third interpretation. In adapting Elinor Lipman's novel, Hunt treads well-worn ground, but does so with grace and sensitivity. When Ben walks out on his 39-year-old wife, she fears he's left with her chances of having a baby. As much as she enjoyed her childhood, April would prefer not to adopt, and with the support of her non-adopted brother, Freddy (Ben Shenkman), she struggles to reconcile her warm feelings towards the awkward Frank with her chilly reaction to the slippery Bernice. Though April has a hard time imagining the! y could be related, the teacher and the TV personality both wa! nt child ren in their lives, so it's not as if they lack a common bond. When April finds out she's pregnant, further complications ensue. Though Then She Found Me circles Lifetime movie-of-the-week territory, Hunt resists the urge to smooth away her characters’ rough edges, investing her film with the crackle of real life. --Kathleen C. Fennessy

Traffic Signal Movie Poster (11 x 17 Inches - 28cm x 44cm) (2007) India Style A -(Kunal Khemu)(Neetu Chandra)(Upendra Limaye)(Ranvir Shorey)(Manish Mehta)(Vicky Tulaskar)

  • Traffic Signal Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) India Style A
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Traffic Signal Poster (11 x 17 Inches - 28cm x 44cm) (2007) India Style A reproduction poster print

CAST: Kunal Khemu,Neetu Chandra,Upendra Limaye,Ranvir Shorey,Manish Mehta,Vicky Tulaskar,Nassar Abdulla,Yakub Sayeed,Santosh Dharni,Raj Munnan,Sandeep Mehta,Indira Iyer,Konkona Sen Sharma,Sudhir Mishra,Madhu Sharma; DIRECTED BY: Madhur Bhandarkar;

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