Thursday, November 3, 2011

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Journey to the End of the Night

  • ISBN13: 9780811216548
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer's life he fought so hard to attain.

This book is another sterling recommendation from the Saltzman workshop. The under-appreciated Fante's second outing details the adventures of his alterego, Arturo Bandini! , as the struggling young writer tackles Los Angeles in the late 1930s. And take it from personal experience, tackling L.A. as a destitute young scribe some decades later isn't much different. In other words: Fante gets it right and sets it down in his Chianti-steak-and-potatoes style, with prose both simple and rich. This Black Sparrow edition has a bonus: Charles Bukowski's great preface on how Fante stacks up against writers that were at once more famous--and far more anemic.Colin Farrell is Arturo Bandini, a young would-be writer who comes to Depression-era Los Angeles to make a name for himself. While there, he meets beautiful barmaid Camilla (Salma Hayek), a Mexican immigrant who hopes for a better life by marrying a wealthy American. Both are trying to escape the stigma of their ethnicity in blue-blood California. The passion that arises between them is palpable â€" if they could only set aside their ambitions and submit to it. Oscar-winning screenwriter Ro! bert Towne (Chinatown) directs this outcasts’ tale of desire! in the desert, co-starring Donald Sutherland (Pride and Prejudice).Adapted from the acclaimed 1939 novel by John Fante, Ask the Dust represents a 30-year labor of love for Robert Towne, the Oscar®-winning screenwriter of Chinatown. It's easy to see why Towne was drawn to Fante's classic tale of ill-fated romance in Depression-era Los Angeles: It's a tenacious, hard-scrabble valentine to Towne's beloved city, to the lonely craft of writing, and to the elusive whims of love. Towne must have been inspired by the challenge of capturing the inner life and outer environs of Fante's literary hero, struggling writer Aturo Bandini (played by Colin Farrell), as he arrives in L.A. circa 1932, sells occasional stories to legendary American Mercury editor H.L. Mencken (heard only in voice-overs provided by film critic Richard Schickel), lives in the seedy Alta Loma hotel in the dusty neighborhood of Bunker Hill (where a fellow resident is played by Donald Sutherland), and falls i! nto a stormy relationship with Camilla (Salma Hayek), a Mexican waitress who shares Bandini's immigrant dreams for a better life in sunny California. There are good times and bad in this passionately combative romance (and Hayek has never been more sensuously appealing onscreen), and Towne has done a perfect job of capturing an arid combination of hope, depression, and artistic ambition, working in fruitful collaboration with celebrated cinematographer Caleb Deschanel (The Black Stallion) on meticulously authentic Depression-era sets built on location (of all places) in South Africa. Ask the Dust never fully succeeds as an emotionally involving drama (the lives of writers are notoriously difficult to translate to film), but there's something undeniably seductive about this curious and great-looking film... and we're not just talking about Farrell and Hayek cavorting naked in the ocean. Even that memorable scene is infused with the threat of broken dreams, as i! f Towne were reminding us (and himself) that nothing good come! s withou t sacrifice.--Jeff Shannon

I had a lot of jobs in Los Angeles Harbor because our family was poor and my father was dead. My first job was ditchdigging a short time after I graduated from high school. Every night I couldn’t sleep from the pain in my back. We were digging an excavation in an empty lot, there wasn’t any shade, the sun came straight from a cloudless sky, and I was down in that hole digging with two huskies who dug with a love for it, always laughing and telling jokes, laughing and smoking bitter tobacco.

The dark side of On the Road: instead of seeking kicks, the French narrator travels the globe to find an ever deeper disgust for life.

Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every page of this novel. Filled with slang and obscenities and written in raw, colloquial langu! age, Journey to the End of the Night is a literary symphony of violence, cruelty and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the reading public in Europe, and later in America where it was first published by New Directions in 1952. The story of the improbable yet convincingly described travels of the petit-bourgeois (and largely autobiographical) antihero, Bardamu, from the trenches of World War I, to the African jungle, to New York and Detroit, and finally to life as a failed doctor in Paris, takes the readers by the scruff and hurtles them toward the novel's inevitable, sad conclusion.When it was published in 1932, this then-shocking and revolutionary first fiction redefined the art of the novel with its b! lack humor, its nihilism, and its irreverent, explosive writin! g style , and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-Century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.

Dead Silence [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
New unrated version more gruesome and horrifying than anything seen in theaters. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Ravens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanYou Scream. You Die. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Rav! ens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanBilly in Dead Silence inevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered! to his door to claim Jamie's wife's life, since she is pregna! nt with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret about his brutal, abusive father. Writer Leigh Whannell and director James Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie DaltonOld ladies, ventriloquist dummies, decrepit small-towns, and dolls are all explo! ited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylised black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen potter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. When Jamie goes out to pick up some takeout, he returns to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.Billy in Dead Silence i! nevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered to his door to claim Jamie's wife's life, since she is pregnant with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret ab! out his brutal, abusive father. Writer Leigh Whannell and dire! ctor Jam es Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie Dalton

The Shepherd Trilogy: A Shepherd Looks at the 23rd Psalm / A Shepherd Looks at the Good Shepherd / A Shepherd Looks at the Lamb of God

  • ISBN13: 9780551030701
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
This omnibus edition brings together Phillip Keller's three devotional classics, A Shepherd Looks and the 23rd Psalm, A Shepherd Looks at the Good Shepherd, and A Shepherd Looks at the Lamb of God. As a shepherd, Phillip Keller knew what it was to protect a vulnerable flock on a daily basis. The special skills of a shepherd demanded compassion, care, and guidance. His practical experience provides a wellspring of profound spiritual insight, reflected in these timeless meditations on the most famous psalm of all, on the relationship between the Good Shepherd and his sheep, and on the sacrificial role of Christ the Lamb of God.

Quiksilver Men's Make It Rain Tee, White, X-Large

  • Slim fit
  • Screenprinted
  • Screenprinted inner neck label (no scratchy tag)
Quiksilver young mens make it rain slim fit screenprinted tee shirt

Tattoo Lace Nipple-less Bra (S-M-L), ONE SIZE, BLACK

  • Hand wash, air dry
  • Nylon
  • Also available in Plus size. Order item 10-40015
  • MADE IN USA
Let you desires be known in this nipple-baring underwire satin brocade shelf bra with padded half cups for uplifting cleavage. Fits A, B, or C cups.Our super seductive open-to-show bra is made of the most delicate of rose laces. To change the mood it is bound all around in stretch "wet-look" material. The center of the cups is cut out just enough for your kissable nipples to peek out. This bra fits sizes 32-36 B-C-D-DD. Adjustable straps. Swimsuit hook closure. PLEASE NOTE: This bra is intended to be used to allure & tantalize...Not for support. It frames your lovely breasts for adoring eyes.

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