Monday, September 26, 2011

Erin Brockovich

  • Widescreen
Liz Gilbert (Julia Roberts) is a modern woman on a quest to marvel at and travel the world while rediscovering and reconnecting with her true inner self in Eat Pray Love. At a crossroads after a divorce, Gilbert takes a year-long sabbatical from her job and steps uncharacteristically out of her comfort zone, risking everything to change her life. In her wondrous and exotic travels, she experiences the simple pleasure of nourishment by eating in Italy; the power of prayer in India, and, finally and unexpectedly, the inner peace and balance of love in Bali. Based on an inspiring true story, Eat Pray Love proves that there really is more than one way to let yourself go and see the world.Elizabeth Gilbert's memoir of enlightenment gets the deluxe treatment at the hands of Glee creator Ryan Murphy, who bathes every scene in a golden glow. Unaccustomed to being alone! , Liz (Julia Roberts) exits her marriage to Stephen (Billy Crudup, quite good) only to enter into an affair with an actor (James Franco, curiously uncomfortable), who introduces her to meditation. Just as her editor, Delia (Doubt's Viola Davis, making the most of a small role), longed to have a baby, Liz has longed to see the world. Delia persuades her to seize the day (plus, money presents no obstacle). First, she travels to Italy, where she noshes from Rome to Naples, making new friends along the way. Then, she heads to an ashram in India, where she meets a bride-to-be and a remorseful man (Richard Jenkins, heartbreaking), who nurture her altruistic side. Her sojourn ends in Bali, where she reunites with Ketut (Hadi Subiyanto, hilarious), the healer who first encouraged her to reassess her situation. While there, she befriends a single mother and a single father (No Country for Old Men's Javier Bardem) who falls for her charms. In an improvement over his ver! sion of Running with Scissors, Murphy combines two Osca! r winner s, two Oscar nominees, and four countries to follow one woman's path to fulfillment. Like Julie and Julia and How Stella Got Her Groove Back, Liz's story becomes more involving as she lets go of the superficial, but Murphy's movie still represents a triumph of escapism over spirituality. --Kathleen C. FennessyThis 15th Anniversary celebration of PRETTY WOMAN is even more irresistible than ever with all-new, never-before-seen special features you'll love at first sight. Academy Award(R) Winner Julia Roberts (Best Actress, ERIN BROCKOVICH, 2000) is a spirited, streetwise diamond in the rough when she meets a no-nonsense billionaire played by Golden Globe winner Richard Gere (Best Actor In A Motion Picture -- Musical Or Comedy, CHICAGO, 2002). It's a chance encounter that turns a weeklong business arrangement into a timeless rags-to-riches romance. This Special Edition will seduce you with all the comedy, charm, and passion you remember about this classic -! - plus more!Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story--and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cynical tale about prostitution called 3000--after the amount of money Richard Gere's character pays the prostitute to stay with him for the week). Gere is the silver-haired Wall Street knight who sweeps streetwalker Roberts into a fantasy world of room service at the Regent Beverly Wilshire Hotel and fashion boutique shopping on Rodeo Drive. The supporting cast is also appealing, including Laura San Giacomo as Roberts's hooker pal, Hector Elizondo as the hotel manager, Jason Alexander, Ralph Bellamy, and Hank Azaria. Now, is this something you want your sons ! and daughters to see? That's entirely up to you. --Jim Emer! sonA real woman. A real story. A real triumph. Julia Roberts stars as Erin Brockovich, a feisty young mother who fought for justice any way she knew how. Desperate for a job to support herself and her three children, she convinces attorney Ed Masry (Albert Finney) to hire her, and promptly stumbles upon a monumental law case against a giant corporation. Now, Erin's determined to take on this powerful adversary even though no law firm has dared to do it before. And while Ed doesn't want anything to do with the case, Erin won't take "no" for an answer. So the two begin an incredible and sometimes hilarious fight that will bring a small town to its feet and a huge company to its knees.Much will be made of Julia Roberts's wardrobe in Erin Brockovich--a brash parade of daring hemlines and Wonderbra confidence. Roberts is unabashedly sexy in the title role of this fact-based comedy-drama, but she and director Steven Soderbergh are far too intelligent to rely solely on high heel! s and cleavage. Susannah Grant's brassy screenplay fuels this winning combination of star, director, and material, firing on all pistons with maximum efficiency. With Ed Lachman, his noted cinematographer from The Limey, Soderbergh tackles this A-list project with the fervor of an independent, combining a no-frills look with kinetic panache and the same brisk editorial style he used in the justly celebrated Out of Sight.

Broke and desperate, the twice-divorced single mom Erin bosses her way into a clerical job with attorney Ed Masry (Albert Finney), who's indebted to Erin after failing to win her traffic-injury case. Erin is soon focused on suspicious connections between a mighty power company, its abuse of toxic chromium, and the poisoned water supply of Hinkley, California, where locals have suffered a legacy of death and disease. Matching the dramatic potency of Norma Rae and Silkwood, Erin Brockovich filters cold facts through warm! humanity, especially in Erin's rapport with dying victims and! her rel ationship with George (superbly played by Aaron Eckhart), a Harley-riding neighbor who offers more devotion than Erin's ever known. Surely some of these details have been embellished for dramatic effect, but the factual basis of Erin Brockovich adds a boost of satisfaction, proving that greed, neglect, and corporate arrogance are no match against a passionate crusader. (Trivia note: The real Erin Brockovich appears briefly as a diner waitress.) --Jeff Shannon

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Oprah Winfrey Presents THEIR EYES WERE WATCHING GOD, the story of a remarkable and resilient woman's quest for love and fulfillment based on the best-selling book by Zora Neale Hurston. Academy Award(R) winner Halle Berry (Best Actress 2003, MONSTERS BALL) stars as the beautiful Janie Crawford, who embarks on an emotional and dramatic journey of self-discovery. Refusing to compromise in spite of society's expectations, Janie endures two stifling marriages until finally finding love in a passionate romance with a much younger man. In one of the greatest, most lyrical love stories ever written, Janie experiences all that life has to offer, from unbelievable triumph to unspeakable heartbreak. Be inspired again and again by this timeless! story of passion, romance, and the spirit of true love. ~Produced by Oprah Winfrey, this lush, yet earthy telefilm was adapted from the 1937 novel by Zora Neale Hurston. Set in rural Florida, the story begins several years after emancipation. Janie (a soulful Halle Berry) is a dreamy-eyed teenager, who never knew her parents. She was raised by the bitter Nanny (Ruby Dee), an ex-slave, who marries her off to an older man the minute she gets the chance. Mr. Killicks works Janie like a dog, but leaves her alone otherwise (he's abusive in the book). Then Janie meets the courtly Joe (Ruben Santiago-Hudson, Lackawanna Blues), who whisks her away from the muck to the black township of Eatonville. The two proceed to transform the town from a patch of dirt into a real community. Along the way, Joe becomes mayor and Janie a mere helpmate. Except for her friend Phoeby (Nicki Micheaux), the townspeople confuse her sadness for conceit and she ends up lonelier than ever. Twenty y! ears later, Joe dies and Janie takes up with the younger Tea C! ake (Mic hael Ealy, Barbershop). Much like the other literary adaptations with which she's been associated (The Color Purple, Beloved, etc.), this Oprah production boasts an impressive line-up of African-American talent, including Terrence Howard (Crash) as the covetous Amos. A mostly successful mix between suds and substance, Their Eyes Were Watching God, which premiered on ABC, was directed by Darnell Martin, co-written by Pulitzer Prize winner Suzan Lori-Parks, and graced with a classy score by frequent Spike Lee collaborator Terence Blanchard. --Kathleen C. FennessyA modern and sensuous woody oriental with a heart of luminous mimosa and top notes of pear blossom, bergamot, and fig leaf.

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