Dirt: The Complete First Season

• Enter the secret and salacious world of show business through the back door. Lucy Spiller (Courteney Cox) makes the headlines as the woman Hollywood loves to hate in the darkly comedic drama DIRT. As editor-in-chief of Tinseltown's most influential magazines, Spiller can make or break the stars. Her obsession with the seamy side of the entertainment industry gives her power over every celebrit

Enter the secret and salacious world of show business through the back door. Lucy Spiller (Courteney Cox) makes the headlines as the woman Hollywood loves to hate in the darkly comedic drama Dirt. As editor-in-chief of Tinseltown’s most influential magazines, Spiller can make or break the stars. Her obsession with the seamy side of the entertainment industry gives her power over every celebrity in the biz, but leaves her helpless against her own demons. It’s "delirious, dizzy, decadent and alto! gether delicious," raves The Miami Herald. Dig deep with Dirt: The Complete First Season. Experience every sumptuous episode, plus exciting bonus features you can’t see anywhere else, in this 4-disc box set. It’s tempting television at its best.Hot-wired into the tabloid zeitgeist, Dirt is good, lurid fun. Courteney Cox, in a bold departure from Monica on Friends, stars as Lucy Spiller, editor of Dirt magazine. Relentless, high-strung Lucy is part Ben Bradlee and part Bonnie Fuller. She's a stickler for journalistic integrity with a basic instinct for the scandalous "get." "There's actual reporting in what we do," she rallies her reporters. "The only defense we have is the truth." Lucy is saddled with a clichéd personal life (abandonment issues, intimacy issues, blah, blah, blah). She is way more fun to watch at work when she's blackmailing celebs to deliver scoops by threatening to reveal their sexual peccadilloes, stun-gunning one-night-stands,! or betraying a loved one to score an exclusive, career-wrecki! ng cover story. Her go-to photographer and best friend is Don Konkey (Ian Hart, an uncanny John Lennon in Backbeat and The Hours and Times) a functioning schizophrenic prone to hallucinations, but who will do anything for Lucy, even sever his own finger to gain admittance to a hospital where an unblemished Christian pop star is being mysteriously kept under wraps. Konkey is the voice and heart of Dirt. His introductory episode recaps are a highlight ("No offense, but you should be up on this by now," he states in episode 7). Waiting in the wings on Lucy's staff is Willa (Alex Breckenridge), young, green, and hungry. She becomes a much more provocative presence as she joins the dark side as the season progresses.

Dirt could use sharper writing, but it's savvy enough when it comes to parsing Hollywood-speak. A celebrity's so-called "exhaustion" is translated by Lucy to mean "rehab or a psychotic break." Dirt drops A-list names (Clooney, Britney),! but for a series set in Hollywood, it's light on actual celebrities (director David Fincher and a self-deprecating Christopher Knight and Adrienne Curry appear as themselves). Instead, we get unconvincing fictional celebrities such as wash-out actor Holt McLaren (Josh Stewart), who gets his shot at superstardom by making the same kind of pact with Lucy that John Cassavetes made with the coven in Rosemary's Baby. Just one scoop begins a downward spiral for his sitcom-actress girlfriend (Laura Allen) and her best friend, an actress with an ill-timed pregnancy (Shannyn Sossamon). Also getting down and dirty are Rick Fox as a compromised basketball superstar, Wayne Brady as a cultured thug, and, in the season finale, Jennifer Aniston as Lucy's rival (and then some, although their much-hyped onscreen kiss is really much ado about nothing). An FX series, Dirt shovels on the network's envelope-pushing profane language and graphic sex scenes. It should clean up on DV! D. --Donald Liebenson

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Helen Mirren at the BBC (The Changeling / The Apple Cart / Caesar and Claretta / The Philanthropist / The Little Minister / The Country Wife / Blue Remembered Hills / Mrs. Reinhardt / Soft Targets)

• Helen Mirrens Oscar winning performance in The Queen and her Golden Globe winning performance in Elizabeth I are merely the capstones of an illustrious and distinguished 40 year career. Ever since she wowed theater audiences as a 20 year old at England s National Youth Theater, Mirren has brought a fresh and commanding presence to all her roles. New for the first time, BBC Video presents nine d

This modern retelling of William Shakespeare's final masterpiece is an exciting, mystical and magical fantasy with Academy Award®-winner Helen Mirren (Best Actress, The Queen, 2006) leading a star-studded cast including Russell Brand (Get Him To The Greek) and Alfred Molina (The Sorcerer's Apprentice). Exiled to a magical island, the sorceress Prospera (Mirren) conjures up a storm that shipwrecks her enemies, and then unleashes her powers for revenge. Directed by the visionary Academy Award®-nominate! d Julie Taymor (Best Director, Frida, 2002) - and complete with exclusive bonus features - The Tempest, with its innovative twist, is a supernatural dramedy filled with Shakespearean villains, lovers and fools that will leave you spellbound.Stark colors and textures dominate The Tempest, a cinematic adaptation of the classic play by William Shakespeare, directed by acclaimed theater maverick Julie Taymor (whose other films include Titus and Frida). The ever-magnificent Helen Mirren (The Queen, Red) plays the usually male role of the magician Prospera, the duchess of Milan, who was exiled to an island with her daughter Miranda (Felicity Jones), where she has two magical servants: the mercurial spirit Ariel (Ben Whishaw, Bright Star) and the sullen, lumpen Caliban (Djimon Hounsou, Blood Diamond). Prospera conjures up the storm of the title and brings ashore a ship full of her former peers, including the king of Naples (David St! rathairn, Good Night, and Good Luck), the king's son Fe! rdinand (Reeve Carney), and Prospera's brother (Chris Cooper, Adaptation), who usurped her position in Milan. Treachery, regret, and romance follow. The Tempest has the weaknesses of the original play; there's much talk of rebellion but nothing really happens--Miranda and Ferdinand fall in love, Caliban gets drunk with a couple of clownish shipwrecked men (Alfred Molina, Spider-Man 2, and Russell Brand, Forgetting Sarah Marshall), and Ariel bewitches and bedazzles the king and his retinue… all of which comes to a tidy and too easy conclusion. Taymor whips up plenty of visual razzle-dazzle, some of which is lovely and some of which is trying too hard. But the strength of The Tempest is some gorgeous poetry, and Mirren handles that language with impeccable clarity and power. --Bret Fetzer

The Emmy®-winning crime series seen on PBS

"A perfect marriage of astoundingly talented actress and brilliantly conceived character" --USA Toda! y

"Riveting" --The Boston Globe

Oscar® winner Helen Mirren is Detective Jane Tennison, "one of the great character creations of our time" (The Washington Post), in a series that won more than 20 major international awards and raised the bar for police dramas.

Tenacious, driven, and deeply flawed, Tennison rises through the ranks of Britain’s Metropolitan Police, solving horrific crimes while battling office sexism and her own demons. “Rare is the drama that works so well on two levels: as a crackling whodunit and as a finely tuned character study of a strong but insecure woman trying to prove herself in a man’s world” (Time).

Seen on Masterpiece Theatre and Mystery! and created by crime writer Lynda La Plante, Prime Suspect features some of Britain’s biggest stars, including Ralph Fiennes (The English Patient), Tom Wilkinson (Michael Clayton), Zoë Wanamaker (Poirot), David Thewlis (Harry Potter), Mark Strong (Sherlock Hol! mes), Ciarán Hinds (Jane Eyre), Tom Bell (Reilly: Ace of Spie! s), and Jonny Lee Miller (Trainspotting).

Contains coarse language and graphic content Helen Mirren's Detective Chief Inspector Jane Tennison, the only female DCI on an old boy's club London homicide squad, is like a phantom lurking around the edges of the action while the men rush through their latest murder case, joshing and winking in the kind of male camaraderie the cop genre has celebrated for decades. When DCI Shefford dies of a sudden heart attack, Tennison demands to take over. Despite her superintendent's resistance ("Give her this case and she'll start expecting more."), she becomes the squad's first woman to head a murder investigation. Scrutinized at every moment by her superior officers, Tennison is faced with a case that spirals out from a single murder to a serial spree, a second-in-command who undermines her authority and her investigation at every turn, a team resistant to taking orders from a woman, and a private life unraveling due to her professional dil! igence. Lynda La Plant's script is a compelling thriller riddled with ambiguity that turns dead ends, blind alleys, and the mundane legwork of real-life cops into fascinating details. Mirren commands the role of Tennison with authority, intelligence, and a touch of overachieving desperation. Superb performances, excellent writing, and understated direction make this BBC miniseries one of the most involving mysteries in years. Look for future British stars Ralph Fiennes and Tom Wilkinson in supporting roles. --Sean AxmakerA beautiful cinematic adaptation of Tennessee Williams’ first novel, The Roman Spring of Mrs. Stone, tells the emotional story of Karen Stone (Mirren), an aging American actress who falls for a young Italian gigolo of captivating beauty (Martinez) after the untimely death of her husband, Tom (Dennehy). In typical Tennessee Williams fashion, Mrs. Stone finds romance, but ultimately loses control and steps into a dangerous world of chaos.ELIZABETH I ! - DVD MovieHelen Mirren's Elizabeth I could almost be cousin t! o her Ja ne Tennison. Like the dedicated detective chief inspector, Queen Bess is not without a heart, but work comes first and any romantic entanglements are doomed to fail. Fortunately, she has her friendships. Directed by Tom Hooper (Prime Suspect 6), this two-part HBO/Channel 4 tele-film begins in 1579. The Virgin Queen has been on the throne for 20 years, but has not married. Her closest relationship is with Robert Dudley, the Earl of Leicester (Jeremy Irons), whom the council will not allow her to wed. Because Robert wishes to produce an heir, he marries another, garnering Elizabeth's disfavor (and nor is he all that thrilled about her dalliance with Henry, the Duke of Anjou). In time, he'll return to her good graces. As she explains, "Friendship outlasts love and is stronger than love." Then, as his health begins to fails, she'll turn to his stepson, the dashing, if duplicitous Robert Devereaux, the Earl of Essex (Hugh Dancy, the Hooper-directed Daniel Deronda). ! Meanwhile, Mary, Queen of Scots (Barbara Flynn) plots against her Protestant cousin. Even after Mary makes her exit, plenty of other powerful Catholics will stop at nothing to seize the crown. Marked as much by triumph as tragedy, the role of Elizabeth I has been catnip for many illustrious actresses, notably Bette Davis, Glenda Jackson, and Cate Blanchett. Mirren's multi-faceted portrayal of the queen's golden years is a worthy addition to that canon and Irons is a particularly formidable foil. --Kathleen C. FennessyHELEN MIRREN AT THE BBC - DVD MovieLong before The Queen, long before Prime Suspect's DCI Tennyson, Helen Mirren was honing her craft with a cast of literary characters on par with the great actresses of all time--all in teleplays for the British Broadcasting System. This boxed set is both a treasure trove of English language classics, well known and obscure, and a brilliant window into the building of the talent and career of Mirren, start! ing as a young, Gwyneth Paltrowesque ingénue. The five disc! s featur e costume dramas from just about any period of English history imaginable. Teleplays include versions of The Changeling, The Apple Cart, Caesar and Claretta , The Philanthropist, The Little Minister, Miss Rhinehart, Soft Targets, and other, shorter presentations.

Among the gems are The Changeling, shot with lush production values and a leisurely, very British pace. Mirren is Joanna, a young lass already torn by love and commitment, and Mirren is riveting even as a cherubic youngster. ("I adore Jacobean tragedy," Mirren says of this play in the commentary--and who doesn't?) In Bernard Shaw's The Apple Cart Mirren doesn't appear until nearly an hour into the play, but is compelling as a wily mistress type: "You are as slippery as an eel," she tells her ne'er-do-well companion, "but you shall not slip through my fingers."

The set is as compelling for the appearances of other actors who costar with Mirren! , including a young, tormented Ian Holm in Stephen Poliakoff's Soft Targets. Not to be missed are the interviews with Mirren, including Helen Mirren Remembers, which gives a great overview of the set, and how she grew into the splendid actress she later became. "You're going to be very exposed" in front of a camera, she says--and that's the true delight here for all Mirren fans. --A.T. Hurley

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