Cloudy With a Chance of Meatballs

• ISBN13: 9780689306471
• Condition: New
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The tiny town of Chewandswallow was very much like any other tiny town except for its weather which came three times a day, at breakfast lunch and dinner.

But it never rained rain and it never snowed snow and it never blew just wind. It rained things like soup and juice. It snowed things like mashed potatoes. And sometimes the wind blew in storms of hamburgers.

Life for the townspeople was delicious until the weather took a turn for the worse. The food got larger and larger and so did the portions. Chewandswallow was plagued by damaging floods and storms of huge food. the town was a mess and the people feared for their lives.

Something had to be done, and in a hurry.

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There is an indescribable freedom that comes from physically deceiving the world.

If you are a fan of Halloween then you know the euphoria of pretending to be Frankenstein or a prostitute or Spiderman or Wonder Woman or a tiger or Dorothy or any old somebody or something that you are not.

To be free of social constraints, to melt the wor! ld as you know it for an evening, to be tantalized by uniqueness, causes tens of millions of people to be filled with glee on the last day of October. Some people spend a week's pay and a year's plotting to come up with the perfect costume that will blow their friends' minds away.

For some reason, people experience untold amounts of elation when they get to pretend to be somebody who they are not.

Multiply that by 50,000 and you would come close to the level of euphoria you'd reach if you got to actually parade around in the skin of somebody else for a few days. Just imagine if, all of a sudden, with the mere injection of a needle, you became Asian or a midget or a man. A quick sting in the ribs and you're blonde or pretty or have an Afro. Just imagine becoming any of these combinations and infinitely more. Since you are no longer actually you, you are immediately freed up to talk to whomever you want to talk to without fear of them judging you. All of! a sudden, you can take revenge on enemies, commit crimes and ! be lasci vious without fear of repercussions. All of a sudden, you are free.

Imagine how much fun it would be to be anybody or anything you wanted to be!

And with absolutely no constraints, no restrictions, no limitations, no boundaries, no gravity!

Wouldn't that be great?!

The novel blurred explores this scenario and makes the following analogy:

Drop a frog into a pot of water and he'll swim about contentedly. Fatten him up with a few flies and he'll be the happiest frog in the world. He will swim around blissfully, unaware that a fire has been built beneath his pot, only that it has become warmer, until he is finally cooked alive.

blurred turns this figurative frog into Sam Senior who swims naively in a social milieu that has had a fire applied to it for generations. Brilliant in his use of the innernet (an internet connection in the brain), Sam can navigate dozens of websites simultaneously. A NetJeopardy champion ! on a full ride at a prestigious university, Sam's future looks bright. Perpetually checking social sites while surfing the net, even as he converses with people nearby, Sam doesn't initially realize that he is being held in the ubiquitous sway of a constant communication that paradoxically leads to a lack of real communication, a lack of deep communication.

However, Sam takes a class where he learns about a (possibly) mythological drug, DNA, which instantly alters a person's physical identity and is used primarily for either recreational sex, crime, or revenge. His professor teaches his class by having students read about "drops" he has taken where he engages in the above activities. Slowly, Sam begins to realize that the pot he is swimming in is getting too hot.

Mirrored by a future that suffers from a general dearth of love, Sam's loneliness is palpable. For, although the future is excessively promiscuous, love and sex are not always interchangeable. ! A hopeless romantic, Sam wants to wait for just the right woma! n before engaging in intercourse. Of course, with most people taking several sex partners a month, everyone mocks him as prude.

As the world begins to blur together, like water in a boiling pot, Sam quests after love. Buffeted about by reality, he finally finds the arms of a fascinating woman. Simpatico, they both realize that there is nothing in a transitory world but one another and the hope that their love can carry them through the darkness that is postmodernity.blurred is life when communications become utterly instantaneous and ubiquitous. When email is the new snail mail, texting is walking through sand with snow boots, and even Twitter is a bit too detailed.



blurred is what happens to the present as different cultures are absorbed into a monolithic, computer dominated culture that is attempting to rebuild the Tower of Babel.



blurred is the tale of a young man, Sam Senior, Jr., who can simultaneously blog, email and s! urf the net, even as he is having conversations with people who are standing directly in front of him. Using a program that is connected directly to his brain to accomplish all this, his ability to multitask makes him a celebrity at a very young age.



blurred then explores how a constant surge of communication leads paradoxically to a lack of real communication, a lack of deep communication. This steady flow of information leads to people being too "found" to ever become "lost." And lost people are the best at finding love. Therefore, the future suffers from a general dearth of love in a society that is mirrored in Sam's loneliness.



A hopeless romantic, Sam wants to wait for just the right woman before engaging in sexual intercourse. Of course, this being the promiscuous future with most people taking several different lovers a month, everyone mocks him as a prude. Nevertheless, as his friends engage in one sexual activity aft! er the other, Sam stands tall in his conviction ... for awhile! .
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There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?

There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?blurred is life when communications become utterly instantaneous and ubiquitous. When email is the new snail mail, texting is walking through sand with snow boots, and even Twitter is a bit too detailed.



blurred is what happens to the present as different cult! ures are absorbed into a monolithic, computer dominated culture that is attempting to rebuild the Tower of Babel.



blurred is the tale of a young man, Sam Senior, Jr., who can simultaneously blog, email and surf the net, even as he is having conversations with people who are standing directly in front of him. Using a program that is connected directly to his brain to accomplish all this, his ability to multitask makes him a celebrity at a very young age.



blurred then explores how a constant surge of communication leads paradoxically to a lack of real communication, a lack of deep communication. This steady flow of information leads to people being too "found" to ever become "lost." And lost people are the best at finding love. Therefore, the future suffers from a general dearth of love in a society that is mirrored in Sam's loneliness.



A hopeless romantic, Sam wants to wait for just the right woman before engaging in sexual in! tercourse. Of course, this being the promiscuous future with m! ost peop le taking several different lovers a month, everyone mocks him as a prude. Nevertheless, as his friends engage in one sexual activity after the other, Sam stands tall in his conviction ... for awhile.



There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?

There is a parable about a frog dropped into a pot of cool water who swims about contentedly even as a fire is built under him for cooking purposes. blurred substitutes out the frog with modern humanity and the fire with progress. The question is, do you jump out of the pot or continue to swim in the water while it’s still nice and warm?Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player.! You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS 5.1 ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Commentary, Deleted Scenes, Interactive Menu, Scene Access, Short Film, Teaser(s), Trailer(s), SYNOPSIS: After high school graduation, the tradition of 'Schoolies Week' has emerged at a Queensland's Gold Coast resort in which 70,000 kids from all over Australia congregate for a hedonistic week of drinking, drugs, and sex. Five couples travelling to this party of a life-time are in for the ride of their lives. ...BlurredSpeck Products ShieldView Anti-Glare Screen Protector for iPhone 4

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Citizen Kane (Two-Disc Special Edition)

• A fascinating story of idealism corrupted by wealth, Citizen Kane is frequently named the greatest film of all time and is credited with inspiring more directorial careers than any other film in history. Orsen Welles and Agnes Moorehead star.Running Time: 119 min. Format: DVD MOVIE Genre: DRAMA Rating: PG Age: 053939656527 UPC: 053939656527 Manufacturer No: T6

Orson Welles’ timeless masterwork is more than a groundbreaking film. Presented here in a magnificent 70th anniversary digital transfer with revitalized digital audio from the highest quality surviving elements, it is also grand entertainment, sharply acted and superbly directed with inspired visual flair. Depicting the controversial life of an influential publishing tycoon, this Best Original Screenplay Academy Award Winner (1941) is rooted in themes of power, corruption, vanityâ€"the American Dream lost in the mystery of a dyin! g man’s last word: “Rosebud.”Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kan! e, Welles even ushers in the influence of Bertolt Brecht on fi! lm actin g. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom KeoghThe story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time.
No Track Information Available
Media Type: DVD
Artist: WELLES/COTTEN/COMINGORE/MOOREH
Title: CITIZEN KANE
Street Release Date: 09/24/2002
Domestic
Genre: DRAMAArguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mot! her as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom Keogh

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House on Haunted Hill

• Condition: New
• Format: DVD
• Closed-captioned; Color; DVD; Widescreen; NTSC

When an eccentric millionaire offer a group of opposites $1,000,000 to spend the night in a so called "Haunted House" with a murderous past, they figure it is a quick way to get quick money and leave. All of them are sure it is some made up story just to mess with their heads a little and test their courage. But, once they stay in the house they start to think about the mistake they made in coming there when mysterious things start to happen.House on Haunted Hill is one of the new breed of waste-no-time thrill machines, like Deep Blue Sea, and a particularly effective example at that. The plot is pure contrivance: For a party stunt, a wealthy amusement-park manufacturer (Geoffrey Rush) offers five people a million dollars if they spend the night in a former insane asylum where the patients! murdered the sadistic staff. But it turns out the five people who arrive aren't the five he invited--did his wife (Famke Janssen), who hates him, make the switch? From there events unfold with a smart combination of human and supernatural machinations; spooky jolts are dispensed at regular, but not entirely predictable, intervals. The visual effects owe a considerable debt to Jacob's Ladder, a much more ambitious movie; House on Haunted Hill just wants to get under your skin, and succeeds more than you'd expect. Rush is his entertainingly hammy self; Janssen, Taye Diggs, Ali Larter, and Bridgette Wilson are attractive and reasonably straight-faced about it all; and Chris Kattan is genuinely funny as the house's neurotic owner. Some elements of the plot seem to have been lost in the editing process, but it hardly matters. More bothersome is that the scares go flat when computer effects take over at the end--the digital images just aren't as creepy as the more! suggestive stuff that came before. But that's just the very e! nd; most of the movie has a lot of momentum. Watch until the end of the credits for a final bit of eeriness. --Bret Fetzer

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According to Greta

• Hilary Duff delivers the most unexpected performance of her career as Greta, a rebellious 17 year old exiled for the summer to a sleepy Jersey shore community where she immediately informs her grandparents of her plans to kill herself by the time she turns 18. But before Greta can cross suicide off her to-do list, she ll begin a romance with a young cook from a troubled background, confront a trag

A new kid in town assembles a fledgling rock band -- together, they achieve their dreams and compete against the best in the biggest event of the year, a battle of the bands.Not just another by-the-numbers teen-angst movie, Bandslam is a joyful expression of pop exuberance, with an unexpectedly thrilling (and retro) soundtrack and numerous moments of visual excitement. Actor-turned-director Todd Graff brings stylish imagination and heart to this story of a much-taunted and beleaguered kid nam! ed Will (Gaelan Connell), whose miserable life at a Cincinnati high school comes to an end when he and his single mom (Lisa Kudrow) move to New Jersey. At his new school, Will befriends two very different girls: the laconic Sa5m (High School Musical's Vanessa Hudgens; the "5" is silent), and the take-no-prisoners, former cheerleader Charlotte (Aly Michalka of the pop group Aly & AJ), who is trying to get her rock band off the ground. The latter sees in Will--a student of pop music history--a potential manager who can help her group take top prize at an inter-school competition called Bandslam.

Graff treats Bandslam's story like a disposable toy, an excuse to squeeze every ounce of pure ecstasy from such ordinary events as first kisses or bursts of artistic inspiration. Around every corner in this movie comes a surprising and stirring moment: when Will and Sa5m break into the padlocked, no-longer-in-business music club CBGB in New York--a shrine of punk rock! --the vignette is reverential, actually moving. As a rare spec! imen of cinematic joy for its own sake, Bandslam is well worth seeing. --Tom Keoghwill burton e' un giovane introverso e sognatore con la testa piena di musica. quando sua madre karen ottiene un nuovo lavoro nel new jersey, will e' costretto a cambiare citta' e scuola. nel nuovo liceo tutto sembra uguale tranne il fatto che il rock'n roll domina. will finisce per fare amicizia con sam, una outsider come lui. con loro grande sorpresa, un giorno la ragazza piu' popolare della scuola, charlotte recluta entrambi per formare una band e partecipare al "bandslam", una ambita competizione musicale di band.Aly Michalka and Vanessa Hudgens join Gaelan Connell, Scott Porter, and Lisa Kudrow in the music-driven comedy BANDSLAM. When gifted singer-songwriter Charlotte Barnes (Michalka) asks new kid in town Will Burton (Connell) to manage her fledgling rock band, she appears to have just one goal in mind: go head-to-head against her egotistical musician ex-boyfriend, Ben (Porter), a! t the biggest event of the year, a battle of the bands.

Against all odds, their band develops a sound all its own with a real shot at success in the contest. Meanwhile, romance brews between Will and Sa5m (Hudgens), who plays a mean guitar and has a voice to die for. When disaster strikes, it's time for the band to make a choice: Do they admit defeat, or face the music and stand up for what they believe in?

U.S. Release via Summit Entertainment, August 14, 2009.Not just another by-the-numbers teen-angst movie, Bandslam is a joyful expression of pop exuberance, with an unexpectedly thrilling (and retro) soundtrack and numerous moments of visual excitement. Actor-turned-director Todd Graff brings stylish imagination and heart to this story of a much-taunted and beleaguered kid named Will (Gaelan Connell), whose miserable life at a Cincinnati high school comes to an end when he and his single mom (Lisa Kudrow) move to New Jersey. At his new school, Will befriend! s two very different girls: the laconic Sa5m (High School M! usical's Vanessa Hudgens; the "5" is silent), and the take-no-prisoners, former cheerleader Charlotte (Aly Michalka of the pop group Aly & AJ), who is trying to get her rock band off the ground. The latter sees in Will--a student of pop music history--a potential manager who can help her group take top prize at an inter-school competition called Bandslam.

Graff treats Bandslam's story like a disposable toy, an excuse to squeeze every ounce of pure ecstasy from such ordinary events as first kisses or bursts of artistic inspiration. Around every corner in this movie comes a surprising and stirring moment: when Will and Sa5m break into the padlocked, no-longer-in-business music club CBGB in New York--a shrine of punk rock--the vignette is reverential, actually moving. As a rare specimen of cinematic joy for its own sake, Bandslam is well worth seeing. --Tom KeoghHilary Duff delivers the most unexpected performance of her career as Greta, a rebellious 17 year! old ‘exiled’ for the summer to a sleepy Jersey shore community where she immediately informs her grandparents of her plans to kill herself by the time she turns 18. But before Greta can cross suicide off her ‘to-do’ list, she’ll begin an interracial romance with a young cook from a troubled background confront a tragic family secret and maybe even discover the promising young woman beneath her sarcastic shell. Just when Greta’s looking for a way out, will life find a way back in?Many movies explore the difficulties of growing up, but few are as powerful and as moving as According to Greta. Hilary Duff is impressively strong as the title character, a 17-year-old who's trying to figure out who she wants to be, or if she wants to be, while grappling with an overwhelming sense of inadequacy and a rocky family life. Her mother (Melissa Leo) has had multiple husbands, and her father, whom she doesn't remember, committed suicide when she was very young. Greta! 's mother doesn't know what to do with her and wants to work o! n saving her third marriage, so she ships Greta off to stay with her Gram (Ellen Burstyn) and Gramps (Michael Murphy) in the sleepy retirement town of Ocean Grove, New Jersey, for the summer. Greta is angry, resentful, and spiteful, and she makes no secret of exactly how she's feeling. She views her imprisonment in the town as a death sentence, and it may literally be. In her journal, Greta keeps two lists: one of things she wants to do before she dies and one of suicide methods. Greta's grandparents both try, in their own ways, to get through to their granddaughter, but she is depressed, determined to push others away, and obstinately obnoxious. Greta meets Julie (Evan Ross), an African-American teenager who was once in juvenile detention is now a line cook with dreams of becoming a chef, and the two are extremely attracted to one another. Julie is wise beyond his years, having learned not only to accept responsibility for his own actions, but to act in a manner that will consisten! tly further his ambitions. Just when it appears that Greta's relationship with Julie may inspire some maturation on her part, Greta does something that will heavily impact the lives of everyone close to her. Will she get a chance to realize that her actions dramatically affect the people around her and that age and experience bring valuable perspective? Few movies have the guts and insight to tackle teen suicide in a way that so realistically captures the intense emotional struggle involved in growing up and learning to respect and love oneself. Both teens and adults should make a point of seeing According to Greta. --Tami Horiuchi

Stills from According to Greta (Click for larger image)

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Celebrity

• A reporter (Kenneth Branagh) assigned to the celebrity beat finds himself on a collision course with four of the most outrageous people he"s ever met: a sensuous starlet (Melanie Griffith), an-out-of-control movie star (Leonardo DiCaprio), an aspiring actress (Winona Ryder) and a sexy supermodel (Charlize Theron). Together they"re going to take him for an unforgettable walk on the wild side of fam

Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to h! is alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writ! es about their foibles in thinly disguised fiction. No wonder ! they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWoody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and! cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane GarrettWith an incredible all-star cast, this critically acclaimed comedy takes a hysterical look at the pleasures and pitfalls of fortune and fame! Following their divorce, the lives of a restless writer and his inhibited ex-wife take off ! in outrageously unpredictable directions! While Lee (Kenneth B! ranagh - - HAMLET, OTHELLO) explores the wilder side of his newfound freedom, Robin (Judy Davis -- DECONSTRUCTING HARRY) begins an improbable transformaiton from neurotic schoolteacher to high-profile T.V. talk show host! Whether it's partying with supermodels, sexy encounters with movie stars, or interviews with the cream of high society, CELEBRITY offers you a riotous excuse to rub shoulders with the kind of people we all love to celebrate!Woody Allen's portrait of the celebrity life--as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the once-marrieds, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. He tries his hands at ce! lebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. She runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, and a host of others.

While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation, which is so impeccable as to become irritating. His failure in the role, however, isn't entirely his fault, as it's ! also another in a long line of unlikable male protagonists tha! t Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. He's never more unlikable than in a painful sequence in which he tags along with a spoiled, temperamental teen idol (a shrewd and clever Leonardo DiCaprio) and proves himself the quintessential noodge. Far more enjoyable misadventures with Branagh include Charlize Theron in the film's best performance as a libidinous supermodel with a penchant for echinacea; a stunning Famke Janssen as a successful book editor Branagh almost moves in with; and Winona Ryder, acting like an adult for the first time, as an aspiring actress who catches Branagh's eye more than once. All manage to slip through Branagh's fingers by the end of the film.

Despite the film's lack of focus, Allen aficionados will want this film for at least two wonderful moments, one in which Davis seeks solace from a streetwise fortune teller after she's fleeing her own weddin! g, and a beautiful nighttime scene in which Branagh romances a captivated Ryder at a subway kiosk. Both episodes prove that Allen, despite the fitful period he's moved into, still has that movie magic. --Mark Englehart

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True Religion Women's Billy Straight Leg Jean, Body Rinse, 28

• Back flap pocket
• Natural white stitching
• Vintage silver tack buttons & rivets
• Brown paper buddha back patch
• Zipper front

True religion's straight leg billy white denim

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AlphaDog, Get The Bitch You Want: A Man's Guide to Dating, by a Woman

• ISBN13: 9780615287737
• Condition: New
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They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. ! Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary in! terviews to chronicle a tragic tailspin of reckless events and! lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), an! d Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 07/13/2010 Run time: 122 minutes Rating: RWith harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including F! rankie (Justin Timberlake) encounter Jake's 15-year-old half-b! rother Z ack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party an! imal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff Shannon They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial f! ilm.With harrowing intensity, Alpha Dog dramatizes one ! of the m ost tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog emplo! ys split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstr! ates a remarkable skill with actors (including Sharon Stone, B! ruce Wil lis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 06/28/2011 Rating: RWith harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and! his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contr! asts his music-industry stardom with a convincing performance ! as a lik able, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff Shannon They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this ! powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casua! l, seemingly harmless situation escalates into a crisis of cap! ital cri me, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father ! John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonThey grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Ni! ck Cassavetes' flawed but riveting crime drama (a polar opposi! te to hi s previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part ! of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dange! rous moments that aren't easily forgotten. --Jeff ShannonStudi o: Uni Dist Corp. (mca) Release Date: 03/22/2011 Rating: RWe can learn a lot from dogs-- both wild and domestic. Dogs are not only man's best friends, they are also a source of powerful lessons for our character and our relationships. There are different ways to pursue women. You can be like a cheetah â€" speedy â€" and skillfully pick up women with your charm and wit. Or you can be like a lion â€" powerful â€" and get women by attracting them with your vast wealth or social position. You might not be like a cheetah or a lion, but anyone be like a wild dog. Wing Girl Kim gives a woman's perspective on dating to offer honest and sound dating advice for men. In AlphaDog, Get The Bitch You Want, she goes beyond pickup tactics and deeper than etiquette. Using the same leadership principles used in business and combining it with Jungian personality type theory, Kim shows men how to take smarter approach to dating.

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