Love is the Answer

• Barbra Streisand - Love Is The Answer (standard Version

The incomparable Barbra Streisand"s long-cherished desire to release an album of music with lyrics exclusively written by her collaborators and friends, Alan and Marilyn Bergman, is achieved on What Matters Most- Barbra Streisand Sings the Lyrics of Alan and Marilyn Bergman.

The new album, which Streisand personally produced, is comprised of ten Bergman songs which Streisand has never previously recorded. Included in the set are the Academy Award winning songs "The Windmill of your Mind" (from the 1968 film The Thomas Crown Affair); "So Many Stars" (originally a hit song for Sergio Mendes & Brazil '66); "Nice 'n' Easy" (popularized by Frank Sinatra); and "That Face" (first recorded by Fred Astaire) . The CD is packaged in a jewel box with a 24-page color booklet.

Reflecting on her long-held desire to devote an entire albu! m to the amazingly varied and consistently inspired music of the Bergmans, Streisand noted, "Alan and Marilyn Bergman have a remarkable gift for expressing affairs of the heart."
The affection and respect between lyricists and artist is quite wonderful. "When we write a song, we hear Barbra," said lyricists Alan and Marilyn Bergman. "She makes the connection from the heart to the mind, and it emerges through her voice."
Deluxe edition includes a second CD featuring ten previously released performances of Barbra singing the lyrics of Alan and Marilyn Bergman including "The Way We Were", "You Don't Bring Me Flowers", "Papa Can You Hear Me?" and "Pieces of Dreams".Barbra Streisand live at the Village Vanguard, New York's legendary jazz club. In September 2009, 48 years after her last club performance, a select group of fans and friends had the rare opportunity to experience Barbra in this ultimate up-close-and-personal setting. Accompanied only by piano, bass, guitar an! d drums, this is the artist at her most intimate. The deluxe v! ersion i ncludes both a CD and DVD of the unforgettable live performance.No Description Available
No Track Information Available
Media Type: CD
Artist: STREISAND,BARBRA
Title: COLLECTION GREATEST HITS
Street Release Date: 10/03/1989
Domestic
Genre: VOCALThe years 1975-1988 contained big successes for Barbra Streisand, though she ran through an unsteady gauntlet of disco-fied pop and pseudo-Broadway show stoppers. This collection, originally released in 1989, brings together the hits of those years--like the two Barry Gibb duets, "What Kind of Fool" and "Guilty"--in a range of production scenarios utilizing the talents of Rupert Holmes, Andrew Lloyd Webber, Phil Ramone, Dave Gruisin, and others. The two new recordings added to begin and end the package, "We're Not Makin' Love Anymore" and "Somewhere," serve as bookends of the dance and ballad style Streisand revolved around throughout her later career. --Stephen M.H. Braitman Barbra Streisand's bravado made her one of the 1960s' overnight sensations. This 40-cut compendium traces her recording career from early tracks that frequently relay her subtlety to often impressive accommodations with soft rock and still later vibrato-fests that find her taxing the limits of performer's ego and listeners' ears. The narrative is one of direct, sometimes showy, emotion giving way to empty displays of technique. By 1983's icky anthem "A Piece of Sky," Streisand has plowed under the light touches of "Lover, Come Back to Me" and the triumphal Central Park version of "Happy Days Are Here Again." Where she produced schlock masterworks when teamed with Neil Diamond ("You Don't Bring Me Flowers") and Donna Summer ("Enough Is Enough") in the '70s, a diva summit with Celine Dion led to the car wreck of 1997's "Tell Him." Essential wraps up with previously unreleased takes of "Someday My Prince Will Come" and "You'll Never W! alk Alone." --Rickey WrightLove is the Answer ! - One di sc containing 13 songs (with orchestra) in a jewel box.

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Clean

• Maggie Cheung (2046) gives a bravura performance as a complex, troubled woman who is trying to forge a bond with her young son, while at the same time healing and distancing herself from a past full of drugs, jail, and turbulent relationships. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 660200313722 UPC: 660200313722 Manufacturer No: PALMDV3137

Four months after pregnant Sara loses her husband in a horrific auto accident, she is visited on Christmas Eve by a mysterious madwoman. Alone and desperate to save her unborn child, Sara fights to stay alive as each of her potential rescuers die at the womans sadistic hands.Hailed by several critics as the first great French horror film this millennium, Inside opens on a gory note and stays true to the bloodfest throughout. But rather than using splatter-gore for comedic effect, as did young directing team Julien Maury and Alexandre Bust! illo's predecessor, Hershell Gordon-Lewis, this duo timed their gore to build tragic suspense, scene after disgusting scene. The strength of Inside's plot is its simplicity, though the film is slow at first. Pregnant photojournalist, Sarah Scaragato (Alysson Paradis), has just lost her husband in a fatal car accident and is in recovery when her baby is due on Christmas Eve, in fact. Morose, she rejects friend and family visits, opting to stay home. A bewitched predator, played by Beatrice Dalle, senses Sarah's vulnerability and seizes upon it like a spider capturing prey in its web. The tale, woven around maternal psychosis, reveals Dalle's haunting preoccupation with stealing Scaragato's unborn baby. Each character who enters Sarah's house, the "war zone" as one doomed policeman puts it, encounters the wrath of two women fighting with mirror shards, knitting needles, scissors, hurled kitchen appliances, and even a homemade bayonette. Like the best horror thrillers a! bout motherhood---Rosemary's Baby, Don't Look Now, Al ien---Inside seizes ample symbolic opportunities to exhibit the primal obsession women have with babies. Even better, Inside invites feminist critique as do other female-centric horror films such as Ginger Snaps, whose plots not only include strong, vengeful female victims, but also sympathetic, criminal femme fatales. An entertaining "Making of Inside" featurette follows, revealing makeup and special effects techniques. Inside is for a specific audience; as scenes get redder and wetter, the squeamish may find it sickening---beware and enjoy. â€"Trinie DaltonEmily Wang (Maggie Cheung) is a woman who wrestles with her dream of becoming a singer, her fitness as a mother, and daily life without her partner Lee (James Johnston). Her past is riddled with drugs and regrets, the result of which left Lee dead in a desolate motel room in Hamilton, Ontario, and landed Emily with a six-month jail sentence. The only thing that she desires ! for the future is a loving relationship with her son Jay, who is being cared for by Lee’s parents, Albrecht (Nick Nolte) and Rosemary (Martha Henry). While Rosemary blames Emily for the death of Lee, Albrecht recognizes the importance of the bond between a mother and her son, and his faith sets the standard for the faith Emily must find in herself. CLEAN follows Emily to Hamilton, Paris, London and San Francisco and in three languages, as she battle for a place in a world reluctant to forget the woman she has been and unwilling to accept her as the woman she longs to be.After the uncharacteristically epic Les Destinées and surprisingly cynical Demonlover, Olivier Assayas got his groove back with the cautiously optimistic Clean. Granted, the globe-trotting tale gets off to a grim start, but the grace notes gradually begin to accumulate. Corkscrew-coiffed Emily (Hong Kong superstar Maggie Cheung) is the outspoken lover of struggling musician Lee (Jam! es Johnston, formerly of Brit band Gallon Drunk). She's also a! heroin addict, just like her partner. When he dies from an overdose, she does time for possession, while his Canadian parents, Albrecht (Nick Nolte in a nicely-shaded performance) and Rosemary (Martha Henry), gain custody of son Jay (James Dennis). Upon release, Emily returns to France to find work, stay clean, and earn the right to reclaim her child. Except for Albrecht, no one believes she can pull it off. Worse yet, many hold her responsible for Lee's death. (The echoes of Courtney Love and Yoko Ono can't be coincidental.) A decade has passed since Assayas directed Cheung in the dazzling Irma Vep. Since that time, they married and divorced, but the professional relationship persists, culminating in a Best Actress award at Cannes for a performance that calls for dialogue in English, French, and Cantonese--even some singing. As suggested by the title, Clean is cool and somewhat detached, an effect reinforced by Éric Gautier's crisp cinematography and a soundtrack he! avy on early Eno, but it sidesteps the histrionics frequently associated with the recovery film. Featuring Tricky and David Roback (Mazzy Star) as themselves. --Kathleen C. Fennessy

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