Nip/Tuck (TV) Poster (11 x 17 Inches - 28cm x 44cm) (2003) Style G -(Dylan Walsh)(Julian McMahon)(John Hensley)(Joely Richardson)(Roma Maffia)(Kelly Carlson)

• Nip/Tuck (TV) Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style G
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From the director of Women in Love and Altered States comes a retelling of the literary classic that launched the most celebrated obscenity trial of the 20th century. In adapting the famous tale of unbridled passion, Ken Russell has made a moving love story and some of the most talked about television of the 1990s. Joely Richardson (Return to Me, The Affair of the Necklace) stars as the young, sexually repressed Lady Chatterley, whose paralyzed husband (James! Wilby, Gosford Park) urges her to find fulfillment and an heir for his fortune in the arms of another man. Sean Bean (Patriot Games, The Lord of the Rings) is the lowly gamekeeper whose scandalous attentions awaken her senses. DVD special features include an exclusive interview with writer/director Ken Russell, behind-the-scenes photo gallery, broadcast trailer, cast and crew filmographies and DH Lawrence biography. Those who believe British miniseries to be too proper and corseted may want to make an exception for Ken Russell's 1992, four-hour BBC adaptation of D.H. Lawrence's scandalous novel. Between the full frontal female nudity and empowering shed-rocking sex scenes, this is something for everyone to have a randy good time. To save you the bother of fast-forwarding, episodes two and three contain the very naughtiest bits involving the illicit affair between "loyal wife, good companion" Constance Chatterly (Joely Richardson) and Oliver Mellors (Sean Bean), gamekeeper! to Constance's embittered, paralyzed husband (James Wilby). W! hen he i nsists his wife take a lover and produce an heir to his fortune, he didn't have the lowly "wild man of the woods" in mind. Neither did Constance, but soon enough the woods are alive with the sound of heavy panting and frantic gropings up against trees. The production is impeccably mounted--no pun intended--and the performances (particularly by the daring Ms. Richardson) impassioned. Save for one dream sequence involving a black horse (a symbol of passion, one character helpfully explains), and the, at times, overheated musical score that threatens to overwhelm the lovers, Russell (Tommy, Altered States) holds his tendencies toward excess in check. --Donald LiebensonAn unforgettably beautiful and surprisingly sensual film that you'll never forget. Cynthia and her slacker boyfriend, Buck, are on the road to nowhere when she takes a job as caretaker to the beautiful, wealthy, but terminally ill Eleanor Dunston (Joely Richardson). Eleanor's rich world seduce! s the couple until the two cook up a scheme to have Buck marry Eleanor and bequeath them her fortune. But the strange triangle develops into something no one expected when each falls deeply in love.Although the concept sounds like something out of MTV hell--Henry James's The Wings of the Dove flies into the Seattle grunge scene--writer-director Meg Richman has fashioned a stunning and assured debut out of this modern-day reworking of the 1902 novel. Whereas Iain Softley's 1997 adaptation tried for something like Edwardian film noir, Richman opts for a take that may skimp on costumes but is far more lush on an emotional scale. Richman's plot is a loose adaptation of James, as a poor young woman (Molly Parker) takes a job as caretaker to a wealthy cancer patient (Joely Richardson) and arranges for her musician boyfriend (Aden Young) to pose as her half-brother in order to seduce the dying woman into leaving him all her money. If the triangle falters anywhere, it's in ! the problematic conception of the scheming lead character (Cyn! thia her e, Kate in the novel), who's saddled with being paradoxically duplicitous and sincere in contrast with two much more sympathetic characters. Parker, usually an actress of amazing clarity, plays Cynthia with an unsuitable Real World flakiness and doesn't gain a foothold against her two costars until the end of the film. But it's those costars who send the love story of In the Shadows sailing into the stratosphere. Richardson and Young are a combustive and passionate duo, and make this unlikely mating a heartbreaking union of two souls whose common ground is an inability to express any kind of false emotion. Richardson is unsentimental and incredibly moving as she figures out what's happening and decides to use it for her own ends, and Young makes a surprisingly sexy and winning suitor; inarticulateness was never more attractive. Richman proves you don't need corsets and fancy hats to get at the heart of Henry James. Before falling victim to the bankruptcy of its! original distributor, this fine film was more aptly titled Under Heaven when it played at various film festivals in 1998. --Mark EnglehartMAYBE BABY - DVD MovieJoely Richardson shines in Maybe Baby, about a thirtysomething British couple struggling to have a child. After dabbling in fertility rituals and having sex according to a rigorous ovulation schedule, Lucy (Richardson) and Sam (Hugh Laurie) find their relationship tested by temptation; Lucy starts to yearn for a hunky young actor that her talent agency is representing, and Sam starts writing a seriocomic screenplay about their infertility--which he doesn't tell Lucy about, because she's already forbidden him to write it. Everything is fine until Sam delves into her diary in order to get a better grip on a woman's consciousness and learns more than he bargained for. Maybe Baby is a sincere and lighthearted movie, sprinkled with comic turns from Emma Thompson, Rowan Atkinson (! Mr. Bean), Joanna Lumley (Absolutely Fabulous), an! d others . Laurie is solid, but it's Richardson's charm and intelligence that makes it work. --Bret FetzerTed Danson ("Cheers"), Joely Richardson (The Patriot) and Ian Holm (The Lord of the Rings: The Fellowship of the Ring) star in this thrilling and magical adventure about a skeptical American scientist attempting to solve the mystery of the Loch Ness monster. Dr. John Dempsey(Danson) arrives in beautiful Scotland with a not-so-beautiful track record. After a failed attemptto find Bigfoot nearly ended his career, the doubtful zoologist must proveor disproveconclusively the existence of "Nessie." Though he ruffles the feathers of a few locals, he is able to persuade an innkeeper named Laura (Richardson) to let him stay in her hotel. And with the help of Laura's young daughter, John begins to open his eyesand his heartto what's around him, discovering something more wondrous and powerful than even the mystery of the Loch!Although the concept sounds like something out of MTV! hell--Henry James's The Wings of the Dove flies into the Seattle grunge scene--writer-director Meg Richman has fashioned a stunning and assured debut out of this modern-day reworking of the 1902 novel. Whereas Iain Softley's 1997 adaptation tried for something like Edwardian film noir, Richman opts for a take that may skimp on costumes but is far more lush on an emotional scale. Richman's plot is a loose adaptation of James, as a poor young woman (Molly Parker) takes a job as caretaker to a wealthy cancer patient (Joely Richardson) and arranges for her musician boyfriend (Aden Young) to pose as her half-brother in order to seduce the dying woman into leaving him all her money. If the triangle falters anywhere, it's in the problematic conception of the scheming lead character (Cynthia here, Kate in the novel), who's saddled with being paradoxically duplicitous and sincere in contrast with two much more sympathetic characters. Parker, usually an actress of amazing cl! arity, plays Cynthia with an unsuitable Real World flak! iness an d doesn't gain a foothold against her two costars until the end of the film. But it's those costars who send the love story of In the Shadows sailing into the stratosphere. Richardson and Young are a combustive and passionate duo, and make this unlikely mating a heartbreaking union of two souls whose common ground is an inability to express any kind of false emotion. Richardson is unsentimental and incredibly moving as she figures out what's happening and decides to use it for her own ends, and Young makes a surprisingly sexy and winning suitor; inarticulateness was never more attractive. Richman proves you don't need corsets and fancy hats to get at the heart of Henry James. Before falling victim to the bankruptcy of its original distributor, this fine film was more aptly titled Under Heaven when it played at various film festivals in 1998. --Mark Englehart

"The Trunchbull" is no match for Matilda!

Who put superglue in Dad! 's hat? Was it really a ghost that made Mom tear out of the house? Matilda is a genius with idiot parents -- and she's having a great time driving them crazy. But at school things are different. At school there's Miss Trunchbull, two hundred menacing pounds of kid-hating headmistress. Get rid of the Trunchbull and Matilda would be a hero. But that would take a superhuman genius, wouldn't it?

Nip/Tuck (TV) Poster (11 x 17 Inches - 28cm x 44cm) (2003) Style G reproduction poster print

CAST: Dylan Walsh, Julian McMahon, John Hensley, Joely Richardson, Roma Maffia, Kelly Carlson, Linda Klein; DIRECTED BY: Michael M. Robin, Elodie Keene, Ryan Murphy, Charles Haid; PRODUCER: Bonnie Weis, Patrick McKee, Linda Klein, Christopher Griffin;