The Sea Inside

• ISBN13: 9780780650442
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BEFORE NIGHT FALLS - DVD MovieBased on the posthumously published memoir by Cuban poet Reinaldo Arenas, Before Night Falls is artist-director Julian Schnabel's second exercise in artist biography, but where Schnabel's earlier film Basquiat was relatively conventional, this film is bolder in both style and execution. Schnabel is perhaps too enamored of his subject as a noble martyr, lending the film a somewhat inflated sense of importance. Still, it's rare to see an artist's life and work so elegantly interwoven, and Before Night Falls uses all of Arenas's life as its canvas, from impoverished youth to lively gay freedom in mid-1950's Cuba; imprisonment during Castro's antigay regim! e; and to New York City in 1980, followed by Arenas's battle with AIDS and subsequent suicide (depicted here as assisted) in 1990.

Through these extreme rises and falls, Arenas is always writing, his typewriter his most faithful lover and weapon (by way of smuggled manuscripts) against the dark forces that surround him. As Time magazine's Richard Corliss wrote, Arenas is "a serious actor's dream role: to be a gay Jesus in a modern Passion Play," and Javier Bardem--the first Spanish actor to receive an Oscar nomination--inhabits the role with subtle ferocity, charting this emotional odyssey with outer reserve but blazing infernos of internal passion. And while Schnabel suffers from a hyperactive camera, there's poetry here--visual, dramatic, and literal--and vibrant humor to temper the deep tragedy of Arenas's life. Schnabel also uses his actor friends to good advantage: a nearly unrecognizable Sean Penn adds an ironic touch to his brief appearance as a peasant, ! and Johnny Depp is both funny and fearsome in dual roles as a ! drag que en and vicious army interrogator. --Jeff Shannon This is the shocking memoir by visionary Cuban writer Reinaldo Arenas, giving an account of his life as a writer and a homosexual and his struggle for freedom of expression. He describes his poverty-stricken childhood in rural Cuba and his adolescence as a rebel fighting for Castro, his suppression as a writer, imprisonment as a homosexual, and his flight from Cuba via the Mariel boat lift. He never really reconciled himself to life in America away from the beloved country of his birth, and committed suicide in 1990 at the age of 47, already dying from Aids.Based on the posthumously published memoir by Cuban poet Reinaldo Arenas, Before Night Falls is artist-director Julian Schnabel's second exercise in artist biography, but where Schnabel's earlier film Basquiat was relatively conventional, this film is bolder in both style and execution. Schnabel is perhaps too enamored of his subject as a noble martyr, ! lending the film a somewhat inflated sense of importance. Still, it's rare to see an artist's life and work so elegantly interwoven, and Before Night Falls uses all of Arenas's life as its canvas, from impoverished youth to lively gay freedom in mid-1950's Cuba; imprisonment during Castro's antigay regime; and to New York City in 1980, followed by Arenas's battle with AIDS and subsequent suicide (depicted here as assisted) in 1990.

Through these extreme rises and falls, Arenas is always writing, his typewriter his most faithful lover and weapon (by way of smuggled manuscripts) against the dark forces that surround him. As Time magazine's Richard Corliss wrote, Arenas is "a serious actor's dream role: to be a gay Jesus in a modern Passion Play," and Javier Bardem--the first Spanish actor to receive an Oscar nomination--inhabits the role with subtle ferocity, charting this emotional odyssey with outer reserve but blazing infernos of internal passion. And wh! ile Schnabel suffers from a hyperactive camera, there's poetry! here--v isual, dramatic, and literal--and vibrant humor to temper the deep tragedy of Arenas's life. Schnabel also uses his actor friends to good advantage: a nearly unrecognizable Sean Penn adds an ironic touch to his brief appearance as a peasant, and Johnny Depp is both funny and fearsome in dual roles as a drag queen and vicious army interrogator. --Jeff Shannon Based on the posthumously published memoir by Cuban poet Reinaldo Arenas, Before Night Falls is artist-director Julian Schnabel's second exercise in artist biography, but where Schnabel's earlier film Basquiat was relatively conventional, this film is bolder in both style and execution. Schnabel is perhaps too enamored of his subject as a noble martyr, lending the film a somewhat inflated sense of importance. Still, it's rare to see an artist's life and work so elegantly interwoven, and Before Night Falls uses all of Arenas's life as its canvas, from impoverished youth to lively gay freedom in! mid-1950's Cuba; imprisonment during Castro's antigay regime; and to New York City in 1980, followed by Arenas's battle with AIDS and subsequent suicide (depicted here as assisted) in 1990.

Through these extreme rises and falls, Arenas is always writing, his typewriter his most faithful lover and weapon (by way of smuggled manuscripts) against the dark forces that surround him. As Time magazine's Richard Corliss wrote, Arenas is "a serious actor's dream role: to be a gay Jesus in a modern Passion Play," and Javier Bardem--the first Spanish actor to receive an Oscar nomination--inhabits the role with subtle ferocity, charting this emotional odyssey with outer reserve but blazing infernos of internal passion. And while Schnabel suffers from a hyperactive camera, there's poetry here--visual, dramatic, and literal--and vibrant humor to temper the deep tragedy of Arenas's life. Schnabel also uses his actor friends to good advantage: a nearly unrecognizable Sean Penn! adds an ironic touch to his brief appearance as a peasant, an! d Johnny Depp is both funny and fearsome in dual roles as a drag queen and vicious army interrogator. --Jeff Shannon Based on the posthumously published memoir by Cuban poet Reinaldo Arenas, Before Night Falls is artist-director Julian Schnabel's second exercise in artist biography, but where Schnabel's earlier film Basquiat was relatively conventional, this film is bolder in both style and execution. Schnabel is perhaps too enamored of his subject as a noble martyr, lending the film a somewhat inflated sense of importance. Still, it's rare to see an artist's life and work so elegantly interwoven, and Before Night Falls uses all of Arenas's life as its canvas, from impoverished youth to lively gay freedom in mid-1950's Cuba; imprisonment during Castro's antigay regime; and to New York City in 1980, followed by Arenas's battle with AIDS and subsequent suicide (depicted here as assisted) in 1990.

Through these extreme rises and falls, Arenas is always ! writing, his typewriter his most faithful lover and weapon (by way of smuggled manuscripts) against the dark forces that surround him. As Time magazine's Richard Corliss wrote, Arenas is "a serious actor's dream role: to be a gay Jesus in a modern Passion Play," and Javier Bardem--the first Spanish actor to receive an Oscar nomination--inhabits the role with subtle ferocity, charting this emotional odyssey with outer reserve but blazing infernos of internal passion. And while Schnabel suffers from a hyperactive camera, there's poetry here--visual, dramatic, and literal--and vibrant humor to temper the deep tragedy of Arenas's life. Schnabel also uses his actor friends to good advantage: a nearly unrecognizable Sean Penn adds an ironic touch to his brief appearance as a peasant, and Johnny Depp is both funny and fearsome in dual roles as a drag queen and vicious army interrogator. --Jeff Shannon These essays of Prof. Panikkar written in the last ten years refl! ect on the myriad ways in which the Sangh Parivar has pursued! a facsi st agenda, particularly in the cultural and political realms. They also attempt to understand the reasons for the inability of the secular forces to stem the tide of communalism and explore the possible ways in which a counter cultural movement can be initiated. A must read for all in order to reiterate the fuller agenda for secularism afresh if it is to be a presence in Indian political and social life.Academy Award nominee Javier Bardem (Before Night Falls) delivers a powerful and sensitive portrayal of a quadriplegic who fights to win the right to end his life with dignity. Based on a true story.

DVD Features:Audio Commentary:Director CommentaryDeleted Scenes:Documentaries:"A trip to The Sea Inside" Making-ofStoryboards:Theatrical Trailer:

Winner of the Academy Award for Best Foreign Language Film of 2004, The Sea Inside is a life-affirming film about a man who wishes to die. That may seem like a massive contra! diction, but in the hands of director Alejandro Amenábar (Open Your Eyes, The Others) and actor Javier Bardem (Before Night Falls), this fact-based Spanish drama concerns the final days of Ramón Sampedro, the quadriplegic poet who waged a controversial campaign for his right to die. He was denied this right for 30 years, and ultimately arranged for his own assisted suicide, but this remarkable film--and Bardem's keenly intelligent performance--examines the hotly-debated issue of assisted suicide with admirable depth and humanity, just as Sampedro did until his death in 1998. For Sampedro, death was preferable to severe paralysis (he even refused to use a wheelchair), but the film does not suggest a "disposable" attitude toward disability. Instead, it's a thoughtful meditation on life and love as gifts to be cherished, and a challenging drama that begs each viewer to examine their own personal beliefs about what makes life worth living. You may not agr! ee with Sampedro and his ultimate denial of life, but The S! ea Insid e will urge you to ponder how you would react under similar circumstances, and that makes it a profoundly meaningful film. --Jeff Shannon